Analysis of the Artistic Emotions of Clarinet Performance
DOI:
https://doi.org/10.54536/ajahs.v3i3.3221Keywords:
Clarinet Performance, Emotional Expression, Technique , Connotation of The WorkAbstract
The clarinet (often called the black pipe in mainland my country) is a reed instrument and one of the Western wind instruments. It was born in the late 17th century and early 18th century. It has the characteristics of rich timbre and strong expressiveness. The timbre in the middle range is soft and full, and the treble and bass ranges are dramatic. This paper uses literature analysis and case analysis to conduct a comprehensive theoretical analysis of the clarinet performance art. The study found that the single reed is actually an art of expressing the inner emotions of the work. The ultimate goal of performance is to express the emotional connotation of the work. To become an excellent clarinet player, one must not only master the performance technique, but also have a deep grasp of the connotation of the work and express the emotions of the work.
Downloads
References
Cao, J. (2015). On the basic skills training of clarinet. Music Time and Space, 6(1), 45-52.
Dong, D. (2019). Busoni’s interpretation of notation and musicality: Excerpts from “Outline of new music aesthetics.” Northern Music, 39(11), 92-93.
He, S. (2016). Analysis and performance of Busoni’s clarinet concerto. Central Conservatory of Music.
Li, Y. (2012). Taking Mozart’s clarinet concerto in A major as an example, discussing the resonance between Mozart’s music and Chinese culture: A preliminary exploration of the direction of popularization of Western classical music in contemporary Chinese society. Shanghai Conservatory of Music..
Radar. (2002). The enduring charm comes from “always starting over”—The musical career of Italian musician Busoni. People’s Music, 11, 46-49.
Sun, D. (2005). On the integration of technique and music from the perspective of clarinet performance history. Journal of Xinghai Conservatory of Music, 3, 116-118.
Wang, Z. (1995). Tongue playing (tongue) techniques and exercises in clarinet performance. Journal of Nanjing University of the Arts (Music and Performance Edition), 2, 46-50.
Xi, W. (2000). The importance of musical expression in clarinet performance: From the interpretation of several clarinet records. Journal of Xi’an Conservatory of Music, 4, 60-62.
Yuan, W. (2011). A brief analysis of the special techniques of clarinet and its application in works. Central Conservatory of Music.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Yuzhu Luo
This work is licensed under a Creative Commons Attribution 4.0 International License.
